Sing Along With Basie is a legendary 1958 jazz vocal album that pairs the innovative vocal trio Lambert, Hendricks & Ross with the swing powerhouse of the Count Basie Orchestra. Also featuring guest vocals from Joe Williams, the album is a jubilant celebration of vocalese — a style where lyrics are set to famous jazz solos.
Tracks like “Jumpin’ at the Woodside,” “Everyday I Have the Blues,” and “One O’Clock Jump” burst with energy and intricate harmonies. The synergy between the vocalists and the Basie band is electric, combining technical brilliance with a playful, joyous feel.
This album is a must-have for fans of classic jazz vocals and big band swing. Explore more timeless jazz gems in our CD collection.
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Released in 1958, Sing Along With Basie is a landmark album in vocal jazz, showcasing a groundbreaking collaboration between the Count Basie Orchestra and the vocal trio Lambert, Hendricks & Ross — pioneers of the vocalese style. Adding further richness is the smooth, blues-infused baritone of Joe Williams, a longtime Basie collaborator. The result is a joyful, musically sophisticated, and rhythmically dynamic album that still resonates with jazz lovers decades later.
From the first notes of “Jumpin’ at the Woodside,” the energy is palpable. The Basie band swings effortlessly, laying down a tight and propulsive groove. Over this, the vocal trio — Jon Hendricks, Dave Lambert, and Annie Ross — deliver complex, rapid-fire lyrics adapted from instrumental solos, a technique that was revolutionary at the time. Their blend is razor-sharp, their phrasing perfectly matched to the band’s momentum.
“Everyday I Have the Blues” is a standout, with Joe Williams commanding the track with his deep, resonant vocals. The arrangement is both raw and elegant, a balance Basie’s band always managed with finesse. It’s bluesy, heartfelt, and undeniably cool.
Another highlight is “One O’Clock Jump,” where each singer gets a chance to shine, showcasing their individual vocal agility while keeping the ensemble tight. Their scatting on tracks like “Goin’ to Chicago Blues” and “Avenue C” is a masterclass in vocal jazz — playful yet precise, swinging but always under control.
What makes the album so compelling is the synergy between Basie’s band and the vocalists. This isn’t just a guest appearance — it’s a genuine collaboration. The band gives the singers room to play, and the singers bring a fresh, human energy to the big band arrangements. It’s a conversation between instruments and voices, each enhancing the other.
The recording quality, for its time, is crisp and vibrant. The arrangements are smart but never overdone. There’s a sense of joy and spontaneity throughout the album that makes it both an artistic triumph and a fun listen.
Conclusion
Sing Along With Basie isn’t just a collection of songs — it’s an important moment in jazz history. It captured a new vocal style at its peak and paired it with one of the tightest big bands ever assembled. Whether you’re a fan of classic swing, jazz vocals, or just great musical chemistry, this album delivers. It’s timeless, joyous, and essential listening for any serious jazz collection.